Festival Websites, Ticketing & Apps with Real-Time Updates

Pushes are small and queue until the phone has signal; the schedule and map are stored on the phone so they work with no signal at all. We also design the site's Wi-Fi and cell plan into the build when a festival controls its grounds.

Yes. Every attendee is an account, so next year's presale is a push to the people who were there this year — no list to buy, no platform to ask.

No. The first path keeps it. We build the site and app to read its live inventory and sell through it, while the fan account, notifications and marketing become yours. Many clients start there and move to their own booking later, once the fan base is in the app.

Your team posts an update once — from the back office or a phone — and it reaches every fan who holds a ticket for that event within seconds, on iOS and Android, with a copy by email or text for anyone without the app. Updates can be scheduled, targeted by section or ticket type, and triggered automatically by events like a presale opening.

Card processing, hosting, and app store accounts in your name — that is the running cost. There is no per-ticket platform fee, which for most venues is the entire reason to do it. We show you the break-even against your current fees before you decide.

Yes. Owning the booking does not mean leaving the listings. Events can still be listed where fans discover them, with the purchase happening on your own system. Discovery and checkout are separate decisions.

A site connected to your existing platform is weeks. An owned booking web app is a few months; adding the iOS and Android apps runs alongside it. Every project is fixed-price and phased, so you can launch the web booking first and add the apps when the numbers say so.